My work explores current artistic and social questions, such as the present-day interaction with images, the recycling of historical material, and problems concerning cultural, and political identity, and migration. INFINITY reflects my ongoing interest in exploring how art represents sociological movement through time. I’m interested not in making overt political proclamations or judgments with this work but in making a visual metaphor of society that was divided within the invisible walls of different political blocks. The work implicates viewers to confront their own prejudices and assumptions about society and to consider all people first as fellow human beings. The mirrored walls and the “hatches” of the work invite the spectators to an active interaction, while the overall (Double) Mobius Band silhouette has a classical oversized “monumental” notion of “Infinity” – not only as mathematical but also as a philosophical category.